#season 5 review

[junkanimate]

And we're back

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[nirvanaida]

links your click

[bugoutreviewgirlie]

some people dislike Maribug because they interpret the creator's "girl power" schtick as her being a Mary Sue, and hence, a badly written character. They also think Adrien should be more of a main character and having him written out of important moments like the s5 finale showdown was a mistake, because he deserves better.

Well obviously, Adrien deserves better, he lives in an abusive household. But A. he's more of a deuteragonist and B. his absence was from the final fight wasn't Maribug's fault. Marinette (the main character!!!) going head to head with Monarch on her own (which was super badass idc) made all the narrative sense. Chat Noir was AWOL, she had to step up.

Plus, it's not like the plot rewarded her for fighting alone. She literally lost. So somehow, the issue becomes that the plot is bad because the villain won when he didn't deserve to, and he wouldn't have if Chat Noir was written in. But that argument goes nowhere bc Chat Noir was never going to be in the final fight.

He's a victim first and foremost, which people may not like, but thems are the facts. There was no way for him to escape from his prison in London without revealing his identity, thanks to his father.

The only bad guy here is Monarch, not Maribug, who knows she made a mistake and has to deal with the consequences. You know, like a well-written character.

[cocogum]

The Great Wave - Chapter 5 Review

‼️ SPOILERS FOR THE CHAPTER ‼️

I’m not going to lie, this was the best chapter of the first volume so far. Not only was it better than the old chapters because we had much more to see and think about, but it’s also because it had some soft intimate moments mixed with happy scenes and not to mention felt longer than the others.

I would like to point out that I was completely in the right to explain why it was perfectly reasonable for Amalia to be worried that Aurora would take her place. In my chapter 4 review, I mentioned how Aurora had no right to lead the kingdom without Amalia even if it was in her legal right to do so. Aurora doesn't fully grasp the beliefs of the Sadidas. If she banishes Amalia, the final member of the royal Sadida family, from the kingdom, she will lack crucial insight into the kingdom's governance, particularly regarding the functioning of the Tree of Life.

It's important to note that while Yugo may not be a Sadida or a Twelvian, he has at least demonstrated the bare minimum level of cultural understanding and interaction that surpasses Aurora. Having lived among the Sadidas and rescued them multiple times, he has even communicated with King Oakheart without difficulty. However, it's worth noting that not all Sadidas may fully accept Yugo despite everything he has done. A good example of this would be what @vinillain has said about the topic in their post. I actually recommend you to see what they have to say about it.

Aurora has told Amalia to go back to her adventures, implying that she doesn’t need Amalia IN HER OWN HOME. Not only is the blue cow trophy wife a dumbass, but she’s also extremely unaware of the consequences she could receive if she lets her go.

It’s completely ridiculous but insane to kick the only remaining royal family of the Sadida kingdom if you don’t know how to keep the very living thing that keeps its people breathing.

This just keeps me wondering what the hell is Aurora’s goal besides ruling another kingdom other than the Osamodas one. Is there even another goal? Because if there isn’t, you gotta keep the only member of the royal family around you if you don’t want to fuck a kingdom up babes.

Aurora is legitimately an embarrassment to all blondes out there. They are already tired of hearing the annoying stereotype of “being dumb blondes” so don’t make it worse for them.

I hate what this is implying and I hate how Amalia explains it to Yugo.

Amalia already told Yugo in Season 4 that the sadidas protect the trees with their lives. And now, she’s here specifying to him that once a Sadida dies, they are still very much present in other ways.

Tot I swear on my ass, if this turns out to be some kind of foreshadowing for Amalia’s death, I’m booking a plane ticket straight to France. However, if this turns out to be some sort of implication that Amalia will replace or be the official guardian of the Tree of Life, I might be into it. We’ll just have to see where her words will go.

I loved how Yugo immediately went to console her and brought her into his arms. My guy doesn’t hesitate at all anymore and I’m so proud 🥰 He’s now able to give her the love she deserves 💕

This is the first time he mentions the past, and I'm glad he remembers how she used to be and can see the good in her, even when she was less mature.

Look at how he admires her in this very moment! He’s absolutely smitten 💕💕

“But already full of courage.” Yeah, the fearless sassy adventurer is definitely his type lol

I’ve been seeing a lot of people talk about the pregnancy situation with Aurora and with Amalia as well. The recurring references to pregnancy in certain chapters have led some to speculate about their significance. They are so vaguely placed in some instances but still present that the mentions almost appear like they’ve been strategically placed, leading to the belief that they may play a crucial role in upcoming events.

Here, we have Amalia crying her tears out at the idea that Aurora is perfectly justified to regain her position as queen simply because of her alleged pregnancy.

Just this scene alone makes me believe that Amalia has all the right to get pregnant as well. This is literally the scene that’s pushing the idea of her getting a kid.

Amalia. Get pregnant already. YUGO HELP HER-

I genuinely hate the fact that Amalia believes Armand would’ve let Aurora become the leader in his place because she’s harbouring his “child.”

Like no babe that doesn’t make any sense.

Throughout Season 4, we were able to clearly understand that Armand and Aurora did have feelings for one another but that didn’t mean Armand thought she was worthy to take his place if he was gone.

There’s a reason why there was only one throne in the Sadida kingdom.

There’s a reason why he was the only one conversing the most with other symbols of power or influence such as Master Joris, Yugo, and the cow king.

There’s a reason why he only addresses himself when he’s talking about the sadida leadership.

There’s a reason why he says “my people” rather than “our people”.

There’s a reason why he told Amalia, straight to her face, that she’s got it from here right before he sacrifices himself.

Armand never thought about Aurora when it came to any kind of leadership.

And sure, even if the child is real (because I still do not believe that wench), that doesn’t mean Armand was expecting the child to take over for him, much less Aurora, when Amalia was still in the picture.

Man was just horny that’s it.

Oh oop- drama???

Omg no this is genuinely such a good moment.

Amalia accidentally tells Yugo that he’s a stranger in the eyes of the royal Osamodas family and supposedly the other leaders as well and Yugo simply accepts this fact while she’s over here internally cursing herself for saying that to his face.

Because Amalia knows she’s right. And Yugo knows it just as much as her, if only more. Despite how Yugo wants to help Amalia in the situation she’s in, he’s aware that his very existence is a disturbance to the other leaders. (Which is a parallel to what happened with the Eliatrope goddess and the other gods around her.)

It greatly bothers Yugo to not be able to help his wife because of what he is and it is pretty understandable. There are people who are clashing with Amalia so he’ll obviously want to fight back.

While we're on the subject of who’s more of a stranger than the actual alien, I’d like to point out that even the royal Sadida staff treats Yugo like he’s part of the family. When Yugo and Amalia were having their moment, Renate (or Canar, I can’t remember who is who these two are just always together) enters the sacred grounds and calls for them, reminding them to be a part of the wedding their friends are having. But the way Renate (or Canar) addresses them is not by their royal status, but simply by their names.

This is an important detail to be aware of because Renate/Canar had no reason to justify why he called them by their names alone.

It just goes to show that some royal servants can be comfortable calling Yugo and Amalia this way without receiving any consequences. It also implies that only the servants who have interacted and gotten along with Yugo and Amalia when they were younger, are allowed to address them by their names.

And I love that fact so terribly much.

Amalia is a queen who understands personal relationships with servants and doesn’t think the idea is a bad thing. She has always been looking forward to speaking to her servants and befriending them since she was a child. Renate, Canar, and Evangelyne are examples of this.

Another detail that can be pointed out in this scene is what Renate/Canar said next: there was a wedding the two are supposed to attend later in the day.

This wouldn’t have been such a big thing to think about if it wasn’t for the fact that Yugo mentioned to Grougal that the two people in question who are getting a wedding, are two of his and Amalia’s friends.

Literally what? Who?!? Who are those friends??? That literally came out of nowhere!

It can’t be Eva and Dally because they already got married ages ago. So who could they be? Some friends who the brotherhood of the tofu met during one of their adventures? New characters that we’re going to see in Season 5 if it ever gets released? Or simply new characters that we’re going to discover in the manga? I’m throwing all the possibilities in the air because these two individuals cannot be normal civilians that Yugo and Amalia decided to plan a wedding for. Yugo precisely stated that these people are their friends.

Because of the Brotherhood’s lack of presence, one might assume that the couple getting married could consist of a Sadida and an Eliatrope, which would explain why Yugo and Amalia are familiar with them.

The Eliatropes and Sadidas depicted in this panel appear to be getting along, as they are all gathered in circles surrounded by Sadidas who seem to be accepting of their presence.

@aphilayx circled the exact amount of small groups that contained sadidas and eliatropes conversing together.

We can also believe that the marriage is unlikely to have any of the brotherhood’s friends who they met in their adventures take part in the ceremony, as was the case with Tristeva and Yumalia’s weddings. It appears that only Alibert, Adamaï, and Chibi, who are not from the kingdom, will be participating.

All of these points only encourage the idea that the marriage Yugo and Amalia would participate in could be between a sadida and an eliatrope.

…if the eliatropes weren’t children.

The eliatropes are not adults yet. Only a few months, or possibly a year, have passed between Season 4 and the webtoon. The eliatropes are not ready to marry anyone.

But then again, an interracial marriage would still make sense. Because why would any other race be here? I don’t see anyone else. The room we were shown only displayed sadidas and eliatropes. The only other person who isn’t an eliatrope, a sadida, or even a dragon, is Alibert (poor guy’s the only Enutrof there lol). He sticks out like a sore thumb 😭

Speaking of the room, we finally get to see Chibi and Grougal! It's great to have more opportunities to see them, especially since they were only featured in the first episode of the Ovas and one episode of Season 4 until now. In both of those times, they barely spoke or said a line. But here, we can finally see them having more moments and SPEAKING.

Well, only Chibi is talking but I think that’s pretty understandable since Grougal seems to be less talkative than him cuz he’s…well a baby dragon.

Grougal chews on wood when he can’t eat anything else…

Honestly, that’s relatable for all human babies. And then we got Chibi over here who decided to snitch on him for trying to eat Az. I never thought the future inventor would be able to snitch like that, how embarrassing.

DUDE WHY ARE YOU BRINGING DOWN GROUGAL LIKE THAT?! BRO’S JUST TRYNNA BE A DRAGON-

I’ve never seen Yugo get this mad at Grougal damn. I only saw Adamaï acting like that in season 2...daddy’s mad.

Yugo gives off the vibe of being the responsible older brother who had to act mature to help the parents handle the younger kids. He’s such a big brother to them both to the point where he’s making me think he’ll be such a good househusband father.

He’s even compromising with them!! Telling Grougal to wait a bit until the food can be ready.

Please that is such a fatherly thing to do!! They usually do this when the mother isn’t watching lol. Yugo’s over here telling Grougal to wait just a bit longer so he could be able to eat whatever he wants at the banquet.

By the way, I bet the feast will only be filled with drinks and fruits based on the food we’ve seen in the webtoon trailer.

Ruel had once complained that all the sadidas ate were soups so I guess that’s also another thing these people eat. The only time I’ve seen a sadida eat meat was Amalia in the first episode of the Ovas cutting a cooked animal in Ruel’s contraption.

So yeah, Grougal’s gonna starve either way lol

Also I’m definitely using this panel as my lock screen 💕💕

Look at him, he’s about to ground him before Alibert can.

Just cuz of this scene alone, it made me think that’s how he’s gonna act if he ever gets a kid(s) with Amalia. So if his kid misbehaves, he’d make that frowning face lol

And now we’re back to these imbeciles.

It irks me that these two blue-skinned clowns are being served and taken care of by the sadidas. They got THEIR OWN SUITE ARE U KIDDING ME-

The blue cow king even had some food prepared by the sadidas for his goofy ass ride! Stop treating the sadida servants like they are your own ones!!

Aurora is as unlikable as always, ordering the people to prepare her room.

I swear not even younger Amalia used to order her people like that. She used to get along with them and even talk to them as if she was about to spill some tea. But Aurora? Cow is so entitled that she’s even acting like that to people who are not even from the same race as her.

Blue cow mentioned that the chest the Sadida servant was carrying, had a “kougnard” in it (in English it’s a “skrot”).

We couldn’t see what it looked like but it clearly scared the shit out of that sadida woman. So I took the time to search up what a “Kougnard” was and it turns out it was actually a very ugly bat creature.

A “kougnard” is an animal you can use for transportation or a companion you can bring around while adventuring. Their main use is transportation though so they carry you from point A to point B if you can’t find a zaap gate near you.

They originally came from Ecaflipus, the Ecaflip God’s dimension. The kougnard that Aurora has is a newborn one which would explain why it could fit into a chest.

For a visual example, this is what a kougnard looks like in its adult form 👇

So yeah, pretty ugly.

Like ew wtf no wonder the sadida woman shit her leaves. Sorry for any player who uses these things but I don’t see how you can even touch one of them, let alone look at them for more than fifteen seconds. They look like ugly crusty bats that are fighting for their lives just to breathe.

Also what’s up with Aurora keeping familials in chests?? Wtf?? Isn’t she pro-animal or whatever?? Literally what’s up with that?? What’s so special about a living baby kougnard that she has to keep it in a chest???

That thing is even ugly as a baby, just look at how that sadida woman reacted when she saw it. Literally freaked her the hell out.

Apparently, Aurora wears the animal on her head in the next chapter according to what the next chapter’s cover entails. She seems to have something in her head and @geekgirles deduced that if we focus our attention on the top of her head, we can see claws.

I swear if that blue cow is actually looking down on people in that panel while having an ugly crusty-ass bat on her head, I’ll be laughing my ass off at this goofy behavior.

[thegayhimbo]

Stranger Things The First Shadow Review

Synopsis: Following a horrific incident from their previous life in Nevada, the Creel family relocates to Hawkins, Indiana in an attempt to make a fresh start and instill a sense of normalcy in their son, Henry Creel. However, Henry is anything but normal, and harbors a dark secret of his own that scares both himself and his family. When a series of gruesome animal killings takes place, attracting the attention of a group of teenage outcasts and a Doctor with his own agenda, Henry realizes his secret is about to be exposed, and is forced into a reckoning that will change the course of his life, and of Hawkins, forever.........

Observations:

FINALLY!!!!

I've been waiting for MONTHS to see The First Shadow. As far back as January, we got tickets and made plans to travel to London specifically for this. Last Thursday (June 20, 2024), we were able to view it on-stage.

Was it worth it? Short answer: YES.

This is going to be divided into several parts. The first bit will detail my experience at the play, and the remaining parts will contain SPOILER HEAVY analysis of the story, the characters, and plot revelations tied directly to the mythology of the show. There's a lot to speculate on where the Duffer Brothers will take the final season from here.

Part 1: My Experience

In terms of production value, this was top-notch. I loved the set designs, from Hawkins High School, to the classic 50s Diner the characters hang out at, to the gothic Creel House, to the cold white rooms of Hawkins Lab, to the hellish landscape of Upside Down, and so on. The 50s aesthetic works well, and there were multiple shots that conveyed the sense I was watching an episode from the show.

The special effects were spectacular. Huge shout-out to the way they choreographed the mutilation of both animals and humans. It actually looked like bones being snapped and limbs twisted around. There's even a disturbing scene where Hopper and Bob are digging up the carcass of a butchered cat, and the prop they used for it looked realistic (combined with dirt and blood for nauseating effect). The lighting also helped elevate the creepiness of it all.

The music was also great. They had a nice selection of 50s songs, but they also brought back familiar themes from the show. One of my favorite musical cues was the use of Philip Glass's "Window of Appearances" which is heard when Vecna's origins are revealed in "The Massacre at Hawkins Lab" (Season 4, Episode 7). They also use it in the climax of this play:

The actors brought their A-game, but the two performances that really stood out for me were Isabella Pappas as Joyce and Louis McCartney as Henry Creel. Pappas does a stellar job combining Joyce's world-weary "I'm sick of everyone's bullshit" attitude with the fierceness that makes Joyce stand out as a character. It reminded me a little of Natalia Dyer's performance as Nancy Wheeler, especially with the "take charge" attitude that both of them have.

As for McCartney, he was the show-stealer. I didn't go into this play expecting to feel any sympathy for Vecna, but the emotional depth McCartney brings to his performance elevates the character to a 3-dimensional complex tragic villain, which makes his eventual fall to evil all the more heartbreaking.

The audience I was with was fully immersed. Most of the jokes got a laugh, there were a few screams when jump-scares occurred, and there was a standing ovation at the end when the cast came out to give a bow. Even during intermission, everyone was chatting happily about the play, and I heard nothing but compliments.

My only regret is, due to a scheduling conflict that day, we ended up missing the first 5 minutes, and they wouldn't let us in the theater until the title cards came up. We did see parts of the beginning on a TV screen in the lobby (and one of the patrons was gracious enough to fill us in on what happened), but I wish I'd been in the theater for the beginning. My advice is GET THERE EARLY if you plan to see it. The theater fills quickly, and they may not let you in at certain points.

The only minor nitpick I have about the quality of the play is there were a few moments I had a hard time understanding what certain characters were saying. This was mostly in the scenes with Henry/One/Vecna when he was either screaming or alternating to his demonic voice. I was usually able to figure out what was going on, but I wish the dialogue had been clearer.

Overall, this was a fun experience, and I even brought back memorabilia from it:

Part 2: Characters/Story (MAJOR SPOILERS AHEAD!)

It's pretty much advertised in the synopsis, but the play takes place in 1959 when Joyce, Hopper, and Bob are in high school during the time the Creel family moves into Hawkins. The story is largely centered on Henry Creel's villain origins as he becomes more unhinged due to the power he possesses. This leads to a series of pet killings in Hawkins that catches the attention of Hopper, who ropes in both Joyce and Bob to investigate and find the culprit. All the while, Joyce is struggling to put on a play at Hawkins High School (i.e. The Dark of the Moon), which coincidentally happens to have Henry/One/Vecna as the main star! :)

These three arcs sound like they shouldn't connect at all, but to the Duffer Brothers credit, they manage to thread them in a way that's believable and engaging. Joyce's exasperated attempts to get The Dark of the Moon off the ground provide some light comedy to what is essentially a grim story, and it was a nice way for the audience to see all the adult characters from the show (i.e. Ted Wheeler, Karen Wheeler, Al Munson, Lonnie Byers, Sue Sinclair, Charles Sinclair, etc) as they were during their teen years.

The investigation of Hopper, Joyce, and Bob into the pet killings hearkens back to the old-fashioned dynamic the Party had in the first season when they were looking into Will's disappearance.

As for Henry/One/Vecna, his arc was well executed and horrifying on so many levels:

The way a young Henry Creel was portrayed in this play was oddly endearing. I mentioned earlier that McCartney brings a lot of emotional depth to the character, and by that, I mean he portrays teenage Henry as awkward, shy, creepy, funny, and even sympathetic at times. He's a kid who doesn't feel comfortable in his own skin, who has a hard time interacting with other people, and has powers that frighten him with the added side-effect of NOT knowing how to control them yet. Victor Creel mentioned to Nancy and Robin in S4 that Henry was a "sensitive child" and it turns out that was meant literally: Lights go on or off (or even explode) whenever Henry's mood fluctuates (making Henry constantly jumpy), he can unknowingly tune into the radio with his powers and mistakes it for voices in his head, he can read the thoughts/moods of other people, he can create illusions (similar to Kali/Eight), and whenever he tries experimenting with his powers, it ends in disaster. In short, he's someone who's terrified of his own shadow, and almost everything in his environment sets him off. At the same time though, there are some relatable qualities to him, such as his love for comics like Captain Midnight (which he eagerly shares with Patty), and there is an internal struggle he deals with for most of the play to genuinely be a good person in spite of the demons (both literal and figurative) that threaten to overwhelm him. He reminds me of Will Byers in some ways, and I am dead sure that parallel between these two characters was intentional on the Duffer Brothers part.

Contrary to what's implied on the show, it turns out Henry had his powers long before he moved to Hawkins. Previously, he lived in Rachel, Nevada until an incident between him and another boy resulted in said boy ending up in a wheelchair. It's ambiguous whether Henry deliberately attacked the boy or if it was an accident (it could have been either one), but it was enough to force his family to move. His parents (particularly his mother) are insistent on pretending everything is normal and that Henry will eventually get better, all the while putting more of an emotional strain on Henry as he tries (and fails) to conform.

We get a little more insight into Henry's parents, and it's not pretty: Victor Creel was already established on the show as a war veteran with severe trauma and PTSD over killing innocents during a raid, and the play depicts him the same way, with the added effect of being so wrapped up with his own issues that he fails to see his own son spiraling. The sad thing is there are scenes indicating he does love Henry (and also defends Henry's relationship with Patty, referring to it as "puppy love") but he isn't able to convey that in a way which makes Henry feel safe.

As for Virginia Creel, I don't know if this was intentional in the narration, but I found her unlikable. Putting aside the unsettling 50s Stepford Wife persona she projected, her treatment of Henry bordered on emotional abuse. She likely didn't intend that, but everything, from her attempts to keep Henry isolated from the one relationship that brings him any happiness, to constantly treating him like a time bomb waiting to go off, to pretending everything is okay when it isn't.........all of this causes whatever mother/son relationship she has with Henry to deteriorate. There's even one nasty scene where she smacks him, though she quickly regrets it when Henry lashes out in anger and forces his mom to witness a vision of herself being covered in spiders when she was locked in the closet by her abusive parents as a child. In some ways, it reminded me a little of the Norma/Norman Bates relationship from the Psycho series (minus the incest subtext) in how unhealthy it is. It was deeply uncomfortable seeing her attempt to force Henry to be something he wasn't just so she could maintain the image that she and her family were perfect. And when she realized she couldn't do that, she finally tried to wash her hands of Henry the moment Dr. Brenner showed up and offered to take Henry into his care ("Lock him up and throw away the key" to paraphrase one of her comments). I get that this is set in the 50s where there's plenty of values dissonance with how parents raised their kids at that time, and there is some context behind why she was scared of her son and his behavior (because there were times Henry wasn't acting okay), but she still handled this situation poorly and contributed to Henry internalizing his trauma and insecurities until they exploded out of him in the worst possible way. It was bad enough that Henry was dealing with something he didn't understand, but she needlessly added on to those problems.

Alice (Henry's sister) is also in the play, but she only appears in a few brief scenes, and sadly doesn't get a lot of characterization beyond being the "cheerful child" in the family. It's implied she knows that something is wrong with her brother, but doesn't look closely at it. Interestingly, they portray her like she's Henry's younger sister, even though the show established that she's supposed to be older (There's a news article in S4 that claims Henry was 12 and Alice was 15 when the Creel murders happened). Other than that, there isn't really much to say about Alice.

The three main characters (Joyce, Hopper, Bob) have their familiar quirks that will follow them into adulthood: Bob is nerdy, smart, good with technology (which comes in handy in their investigation) and the host of a radio show. Hopper is the disgruntled son of the Chief of Police who's trying to make something of his life. Joyce is high-strung, in a dead-end relationship with Lonnie, and trying to find a balance between optimism and pessimism. In a way, I'm reminded of the Steve/Jonathan/Nancy dynamic we briefly got in the S1 finale, with Joyce having similarities to Nancy, Bob to Jonathan, and Hopper to Steve. This was clearly set up as a love triangle between the 3 of them, and I have to question if the Duffer Brothers deliberately did this to foreshadow what could end up happening between Steve/Jonathan/Nancy in S5. In any case, Joyce, Hopper, and Bob investigate the animal killings when they start to happen, and while they come close to figuring out who it is, they ultimately miss the mark and pin the crime on the wrong person (Poor Victor Creel). Sadly, by that time, it's too late, and both Virginia and Alice Creel are dead.

There is a new character introduced named Patty Newby who plays an important role. She's the adopted sister of Bob and was revealed to have been taken in (or stolen as a child, as Henry later claims) by Bob's father, Principal Newby. Despite his misanthropy and awkward nature, Henry takes an interest in Patty, and the two of them develop genuine affection for one another. When Patty auditions for Joyce's play, Henry helps her with her lines (which leads to both of them getting cast as the main leads), and later feels comfortable enough to share his secret powers with her, including giving her a glamorous vision of starring and singing in a Las Vegas show. Against all odds, I actually found the relationship between Henry and Patty to be cute. Not only did it humanize Henry, but the way it was presented made sense: Both of them are outcasts with deep insecurities that they're trying to work through. Patty feels like an outsider in her family and at school due to her race (which isn't helped by people like Dustin's father making disgustingly bigoted comment towards her during class) and her complicated relationship with her adopted dad, who treats her coldly. Since Henry also feels like an outcast in his family, he's able to empathize with her, and both of them try to encourage the best in one another. In a moment of genuine kindness, Henry helps Patty locate her biological mother (who coincidentally is also a singer), and Patty returns the favor by trying to encourage Henry into believing that he is a good person and that there are positives with his powers.

I know some fans will complain about how Patty was never mentioned on the show even though she's supposed to be adopted siblings with Bob, but I'm not bothered by that. Nothing about her existence contradicts anything on the show, and it was nice to see a redeemable side to Henry that proves he wasn't a complete monster to begin with. The only thing that's harsher in hindsight is that, because Patty and Bob were close growing up, and because of Henry's affection for Patty, it makes what he does to Bob in S2 (i.e. siccing the demodogs on Bob) a lot more vile.

Finally, there's Dr. Brenner himself: If there was ever any doubt that he saw Henry and the other special kids like El as a means to an end, this play erases that. He is at his absolute worst here. Manipulative. Cruel. Determined to push Henry over the edge. Egging Henry into murdering a convicted prisoner, even though Henry fights back against doing that, all so Brenner can test him. Hurling verbal abuse at Henry, and then playing up the "Loving Papa" persona in the same way he would do with El years later. It really says something that he is the most loathsome character in the play, and that he doesn't see Henry as a person so much as a tool.

This was already a given on the show, but I still remember fans who kept making apologies for Brenner's behavior in S4 while insisting he really did care about Henry and the other kids in spite of his abuse of them. 🙄 I always maintained those were garbage apologies, and this play only reinforces that. Even though Henry is ultimately responsible for the choices he makes (regardless of the negative influences in his life), there is an argument to be had that Brenner bears responsibility for destroying whatever remaining goodness Henry had left in him until Henry became the cold, calculating monster with a plethora of rage and a deep hatred for humanity to accompany it.

Part 3: Revelations

For a while now, I've held theories that the powers El, Henry, and the other special kids have had were connected to the Upside Down. These theories were even talked about in my reviews for Stranger Things Six, Stranger Things The Other Side, and Stranger Things Suspicious Minds. I've also speculated on the idea that the Mind Flayer might be its own entity, and that Henry/One/Vecna didn't create it so much as gave it a form when he found those black particles in the Upside Down decades later.

This play confirms those theories: Not only is the Upside Down connected to their powers, but it's revealed in this play that the Mind Flayer acted as a malevolent corrupter to a young Henry, which would later lead to him becoming the monstrous Vecna.

At the beginning of the play, there's a flashback to 1943 where the U.S. military was experimenting with a new technology on the USS Eldridge to create a force field to hide the ship from the Germans during WWII. Interestingly, this bit was based on a real life experiment called "Project Rainbow," and the pamphlet I bought gives more details about it:

In the play, the technology caused the ship to end up in the Upside Down, where most of the crew was slaughtered by Demogorgons. The sole survivor turned out to be Dr. Brenner's father, who came back to the real world with altered blood in his system. He ends up dying, but passed on his secret to his son, kick-starting Brenner's scientific pursuits for the military. In other words: Brenner was aware of the Upside Down long before El banished Vecna to it in 1979.

Fast-forward a few years later. Henry is in Rachel, Nevada, playing in one of the caves with a spyglass when he encounters a rogue scientist who worked under Brenner in Nevada. Brenner had spent years attempting to replicate the experiment on the USS Eldridge in Nevada, and one of his scientists had stolen key technology and fled to the caves. When Henry discovers the technology, it transports both him and the scientist to the Upside Down. The scientist is killed, but Henry gets exposed to a malevolent entity (The Mind Flayer) before he is transported back to this world. Just like with Brenner's father, his blood is altered, and so is his personality. Brenner would later be able to track Henry down due to the spyglass he dropped in the caves after his exposure. In spite of escaping the Upside Down, Henry was now connected to the Mind Flayer, who spends the majority of the play acting as a malicious influence driving Henry to kill, and chipping away at his personality bit-by-bit:

It's not really a spoiler to say Henry is behind the pet killings in Hawkins (since he was shown killing animals on the show), but the difference here is the play makes it ambiguous how much control Henry has over his powers and actions. The Mind Flayer certainly uses Henry as a vessel, but there are moments Henry was shown to be capable of resisting it, indicating there was some manner of agency on Henry's part. In some moments, he chose to drive off the monster, whereas in others (like the deaths of Virginia and Alice Creel), he allowed the monster to work through him.

Like I said, these are theories I've held for a while now, so it felt gratifying to see them validated. While Vecna's monologue to El in 1979 implies that he was always a sociopath with powers who acted on his own accord with no outside influence, it's important to note that Vecna in that scene is an unreliable narrator twisting past events to paint himself a certain way to El. Part of it may be that he doesn't want to admit he was a victim of the Mind Flayer and that he made his own choices (Which is true: He DID have choices and the ability to reject the Mind Flayer, which we see in one scene when the Mind Flayer attacks Patty's father, and Henry intervenes on Patty's behalf to save him). Part of it may be that he's been under the hold of the Mind Flayer for so many years that, by the time El meets him, he's come to believe he and The Mind Flayer are one in the same.

Either way, regardless of what happened, there were a lot of elements stacked against Henry that makes me pity him: The Mind Flayer's influence, Brenner exploiting Henry's powers for his own selfish scientific desires instead of genuinely helping him, his parents trying to force Henry to be normal and shove down his issues instead of taking the time to deal with them..............the only positive thing Henry had going for him was his relationship with Patty. Her determination to see the good in Henry and his powers, and her belief that Henry could rise above the darkness gave some brief salvation for him. Unfortunately, that wasn't enough to save him, and the darkness won in the end.

There is a slight change I was okay with: In the show, Henry mentions that he fell into a coma after killing his mother and sister. While that is true to some extent, he actually wakes up a few hours later and flees the house to go find Patty at the school. He encounters Joyce in the basement (after the power gets knocked out) and, in a scene that's both creepy and sad, he acknowledges that Joyce is a good person and warns her that the world will punish her for it while taking away everything she holds dear. There's a dark irony to his words considering he would later be responsible for the disappearance of her son, the death of Bob, and most of the problems Joyce would later deal with on the show.

Following his encounter with Joyce, Henry finds Patty on an elevated stage platform, and begs her to run away with him. She is basically his last hope at this point, and even that is taken away when Brenner manages to track him and Patty down. There's a whole "Good Angel/Bad Devil" exchange that occurs as Patty (the Angel) implores Henry to fight against The Mind Flayer while Brenner (the Devil) snarls that Henry is already a monster and he might as well accept it. All of this cultivates in Henry using his powers on Patty, having finally surrendered to the Mind Flayer's influence, and throwing her from the rafters, almost killing her. Henry passes out after this, and Brenner takes him back to Hawkins Lab, where he will spend the next 20 years as Brenner's prisoner. Patty manages to survive the fall and, thanks to information Henry gave her earlier, she's able to locate her biological mother in Las Vegas and reunite with her. The last act of redemption Henry would ever have.

These revelations help give context to the mythology of the show. They explain what motivated Dr. Brenner for so many years. They explain the Mind Flayer was well aware of this world, and that Brenner was aware of the Upside Down long before El opened the gate in 1983. They explain Henry already had troubling aspects to begin with, and that his encounter with the Upside Down and the Mind Flayer only amplified those problems. They explain how and why Henry became disillusioned, nihilistic, and angry over the next 2 decades, and how he would project that onto his enemies once he became Vecna. They explain why Henry/One/Vecna takes an interest in certain characters on the show, from El (whose upbringing and struggles are similar to what Henry went through as a child) to Will (who shares similar traits with him as an outcast and a nerd) to even Billy (with both of them projecting their rage onto the world), and went as far as to target them. And, most importantly, it explains how Henry and other special kids like Kali and El got their powers.

This does raise interesting questions that I hope S5 will explore more of:

Since Will was kidnapped and taken to the Upside Down in S1, does this mean his blood type has been altered as well due to his exposure to the Mind Flayer? Does he now possess some kind of power similar to El that we haven't seen yet but might be unveiled in the last season?

And what about the Upside Down freezing in time in 1983? Considering the Upside Down remained consistent as a hellish environment (even after El banished Vecna to it in 1979), this gives the impression that what happened there was an anomaly. I still maintain Will's disappearance had something to do with the altered environment, and I have provided theories for it in my review of Stranger Things The Other Side, but it's still a question that remains unanswered by this play.

And then there's Patty: She does survive, and last we see of Patty is her reuniting with her biological mom, but it's also mentioned she disappeared and that Bob (her adopted brother) misses her and plays songs over his radio podcast in her memory. Did Bob ever find Patty following this, or did he die before that could happen? Does she even remember Bob or Henry, or did the fall (which injured her badly enough that she now walks with a cane) cause her retrograde amnesia? Is it possible S5 might bring her back, and she could have some role in reaching out to Henry/One/Vecna? Is she still alive at this point?

So many questions that I'm hoping S5 provides answers for.

Part 4: Themes

It's no coincidence that the play Joyce produces for the school holds parallels to the tragedy of Henry and Patty's relationship. The Dark of the Moon is a ballad about a "witch boy" named John who falls in love with a human girl named Barbara Allen. He is given a human form on the condition that she remains true to him. Through a series of tragic events (including the death of their child at the hands of religiously-crazed townsfolk), Barbara ends up betraying John, causing him to lose his humanity and become a part of the fog from the place he came from.

If we're drawing direct parallels, it's pretty obvious Henry is John, the "witch boy" embedded with special powers who falls for the human girl, Barbara/Patty. The difference is that the "humanity" of Henry is more metaphorical than literal: He attempts to not give into the monstrous influence of the Mind Flayer, and Patty recognizes this and is determined to help him through the love she gives him. However, the key difference is Patty isn't the one who betrays Henry. If anything, she remains a loyal friend and confidant to Henry (even AFTER Brenner tells her that Henry killed his mother and sister) and desperately tries to convey to Henry that she believes in him and that he can fight off The Mind Flayer. Unfortunately, that proves insufficient, and it's Henry who inflicts the final betrayal on Patty, destroying their relationship, and causing Henry to become prisoner of Dr. Brenner at Hawkins Lab. He is the "witch boy" who returned to where he came from.

It should be noted that the ballad this play is based on contains these final lyrics:

They laid poor Barbra by the old church gate,

With the wild, wild rose growin' nigh her,

And witch boy roamed the mountain high,

'Til mountain fog became him.

And then one morn, before the dawn,

The fog rolled down that mountain,

It came to rest nigh Barbara's rose,

and watered there a briar.

The rose and briar climbed the old church gate,

'Til they could grow no higher,

And there they tied in a true love's knot,

The rose wrapped 'round the briar.

And so a witch and human gal,

Had conquered death eternal,

And 'neath the darkness of the moon,

Their love's entwined forever.

Could this be foreshadowing that, as evil as Henry/One/Vecna has become, there is still a chance at redemption for him through Patty? That whatever love he held for her could bring back Henry's humanity and allow him to overcome the Mind Flayer one last time? They did a similar thing with Billy Hargrove in S3 (with the platonic love he had for his mother), and since love is one of the key forces that's been shown to repel the Mind Flayer, it could work again in Henry's favor if he chooses to take it.

However, a lot of this is tied to whether Henry is capable of remorse or empathy at this point, and considering what we've seen on the show, it's a safe bet to say whatever humanity he had left in him is now gone. I'm doubtful that even if Patty shows up in S5, it'll be enough to redeem Henry. There are some things you can't come back from, and regardless of the negative influences he was dealing with, Henry still had choices, and he chose to hurt others.

In a way, Henry's story reminds me of Coriolanus Snow's arc in The Ballad of Songbirds and Snakes: Despite the relationship he has with Lucy Gray Baird, it wasn't enough to cancel out his negative personality traits (narcissism, entitlement, etc) and whatever love he may have had for her isn't enough to redeem him, or prevent him from becoming the tyrant we all know and loathe by the events of The Hunger Games.

Another theme present was the exploration of the adult characters and how the personality traits they had as teens continue well into adulthood. It's been speculated before by various groups of people that, internally, there's a certain point where you stop growing mentally and remain the same age, and that definitely seems to be the case here with some characters. The problem is that while these qualities might have been excusable when they were teenagers, they become less appealing as time goes on:

Ted Wheeler, for example, is depicted in the play as a dumb jock who's clueless most of the time. Fast-forward to the 80s, and he's now an apathetic father who still remains clueless. Not only is this not cute anymore, it's frustrating to his wife and those around him.

Karen Wheeler is depicted in her teens as interested in her youth and beauty and dating Ted BECAUSE he's a hot jock. By the time she's an adult, she's still into that (though she does make more of an effort to be emotionally available to her kids unlike Ted) and her desire for youth and a passionate relationship almost leads her to sleeping with Billy despite the inappropriate age difference between the two. 🤮

Jim Hopper is a younger man with a fractured relationship with his abusive father, and a lot of his motivation is rooted in trying to stick it to his dad and prove that he isn't the loser his father thinks he is. It's why he takes an interest in the animal killings around Hawkins and conducts an investigation similar to how police would do it. It's also why he joins the Vietnam War later (as he would later tell Enzo/Dmitri in S4). Even later becoming the Chief of Police on the show likely has its roots in this. Years later, long after his dad is likely dead, he's still trying to prove him wrong.

Lonnie Byers is depicted as a douchebag, even as a teen, who isn't really interested in making something of his life, who's coasting off other people, and really doesn't have any desire to improve himself. Come Season 1, and is it any surprised he's a deadbeat dad who's divorced from Joyce and still making shitty decisions down the line?

Same goes for Al Munson: The play depicts him as an improv actor who's deeply self-centered, who isn't as good as he thinks he is, and is someone who just annoys everyone around him with his antics. Anyone who's read Flight of Icarus knows he doesn't get any better as an adult, and it has completely wrecked his relationship with his brother Wayne and his son Eddie.

And then there's Dustin's father: "Asshole" is the best term I can use to describe him. He's very belittling and not well-liked (even among his peers), and it doesn't surprise me that Mrs. Henderson (who's also shown to be a cat-lover as a teenager) would eventually split with him and raised Dustin on her own.

There are a few positives though: Both Charles and Sue Sinclair come out of the play as decent people, and Sue is shown to be a loyal friend to Joyce, helping Joyce to get her play organized. I can see why they ended up together, and I maintain both Lucas and Erica are lucky to have them as parents.

The overall point is, like with Henry (who also never really grew up, and is now an angry kid trapped in the body of a 30-something adult), there is a theme that change is a process you have to work on. All of these characters (including Henry) have their own flaws they have to work through, and it is a choice about whether you put in the hard work of overcoming those flaws, or you surrender to them and let them dictate your life and stilt your growth. It's always an uphill battle, and it's never easy, but when the alternative is hurting the people around you, I would argue it's worth the effort for their sake.

Final Thoughts:

While there is some leeway between how events in the play can be interpreted, there is one tiny retcon that was hard to ignore: Henry's age. In the show, it's specifically mentioned in the newspaper article that Nancy and Robin look up that Henry was 12 when Virginia and Alice Creel were killed. However, this play retcons his age to being 14 years old. My guess is this was likely done so that Henry would be a freshman, and therefore able to attend Hawkins High School with Joyce, Hopper, Bob, and the other characters. While I don't mind this retcon for story purposes, it still sticks out like a sore thumb, and I wish the Duffer Brothers would take better care with details like that, especially after what happened in S4 with Will's birthday being forgotten.

There is a pamphlet for 10€ that they sell at the Phoenix Theater that gives more information about the play, its cast, and the central ideas behind the story. You can even see it in the picture above with the other memorabilia I collected (next to the t-shirts I bought). If you're going to see the play, I highly recommend purchasing it. It's worth the money.

Overall, this was a well-written play that I'm willing to accept as canon. I hope the events in this play are referenced in S5, and have a role in how the show's story unfolds. I highly recommend getting a ticket for anyone who is a Stranger Things fan! :)

[fictionalmenmistress]

On my second watch, I realized that "Its Raining Men" was still playing, as Nandor literally crashed from the sky in front of Guillermo at his first pride parade.

Guys. Guys. Its raining men. Hallelujah.

[golden-redhead]

THE UMBRELLA ACADEMY Season 4 RANT Review

This is for all of you girlies whose favorite character is Five. Today, we mourn together. Feel free to share your pain in the comments section here or on YouTube.

[dinkbear]

camp camp s5 e1 review (MAJOR SPOILERS!)

yea i thought it sucked

i just watched the new cc episode and i thought it was....not great

the pacing was very off, i feel like they had the potential to tell an emotionally complex story regarding max's feelings to returning to camp and seeing so much different, but that's difficult to do in 15 minutes, i feel like it could've worked better if it were even just 20 minutes. also, in "With Friends Like These" i thought max's new VA sounded practically the same as his old one, but in this episode he just sounds...off. again, a lot of the lines felt forced, when i hear this new guy i don't hear the little shit-stain max i just hear Some Guy™. i understand WHY they changed the va, but as a poc myself i genuinely could not care less if a white actor voices a poc character esp in an adult cartoon. it actually really brought me out of it when max was snapping at the obstacle course because it just felt like nothing, like i didn't care.

i. hate. CJ. i think he's unfunny, i don't like his design, i just...don't like him. hoping and praying that gwen stays and he LEAVES or there's some crazy twist or SOMETHING i just do NOT like him. also, why does he have the authority to deny the campers food??? is david not his boss??? DO SOMETHING BRO

david also felt off, i know that now he knows the campers better and he's had character development but he just seemed disingenuous

the bit with nikki freaking out over max possibly being mad had so much potential to be built on and have something done with it but it just...didn't. it was just that one line and that was it, i was excited for some crazy conflict that didn't happen.

i thought the thing with neil's clip on earring was hilarious and im sad that it'll probably only be in that one episode </3

UGGGGH they CAN tell heart-wrenching stories, they CAN expand on these characters emotionally, they CAN DO SO MUCH and they HAVE....but, for me, a big part of what made episodes like "The Order of the Sparrow" and "Parents' Day" so moving was that it was out of the formula. i LOVE LOVE LOVE shows that set themselves up as being episodic/formulaic/sitcom-y and then slowly introduce lore and show that the characters are 3-dimensional and have conflict, etc, etc. but in this episode and in "With Friends Like These," the emotional story-telling feels forced. it's not set up like its a regular camp camp episode where something unexpectedly emotional happens, its set up to be the unexpected thing...which makes it expected and lose its value. especially because, back when i was SUPER hyperfixated on this show like 4 years ago, post watching "Parents' Day" or "The Order of the Sparrow" or whatever, when i rewatched other episodes i saw more to these characters hidden in little aspects of their behavior or their reactions or their dialogue that was there the WHOLE TIME, but seemed like it was just a regular old episode where regular old things happen, but now it seems as though they are straying away from that and instead having the emotional development and storytelling be completely unsubtle and on the nose. i suppose it is the writers' choice and they have every right to do that even if i don't like it.

speaking of on-the-nose, i wasn't a fan of how they just flat out said "max is upset that things are different," in the episode he said how he didn't like that everything was changing over and over and over again. and like.....take "Parents' Day" for example, max was being an extra asshole to everyone subconsciously before realizing and admitting the real reason, which was great and how kids work (because remember, max is 11) but in this episode it was pretty much "GRRRRR EVERYONE IS DIFFERENT AND IM MAD ABOUT IT!!!!!" and i know it was supposed to be like 'well WHY is he so mad about it :o" which could've been good and interesting if there were...buildup...or anything...and not "This camp sucks, but you know what else sucks? Life out there. Family, school, a crumbling society?" and "You're just as lame as before, which is why you didn't have any friends back home to begin with." its just like....come on. was that REALLY the best way to get that across??? THEY CAN WRITE SUBTLY SO WHY DON'T THEY!?!?!?!?

i feel like there is SO MUCH potential to exploring max's emotions but they just seem to keep being unsubtle and on-the-nose about it, which an emotionally neglected kid would NOT be. we have to remember, they're kids. i feel like the earlier seasons did a great job of making that obvious- making them little rascals, oblivious to things, mischievous, full-of-energy, little devils, the line "I saw it on TV!" from s1 e4- but in these newer episodes its treated as though that aspect is not important (note: i have never rewatched s4 because i didn't like it, so i am not going off it for reference bc i barely remember anything that happened) max wouldn't know that he's upset with them changing because of how lonely it is, and i know he was supposed to be projecting but the dialogue felt so forced it didn't even feel like projecting it just felt like admitting. i don't expect the writers to have a phd in child psychology or something, but if they want max's emotional reactions to have power and be meaningful, i feel like they should be a CHILD'S emotions.

granted, this is all my opinion. i'm sure for the reasons i disliked the episode, someone really loved it for the same ones. i would give it a 3/10, but there was no jasper, so it gets a 0/10. very excited for the next episode, the post-credits trailer made it seem like it'll be good.

[cottoncandysprite]

Honestly the best part of wwdits is that, after seeing all the bajillion spoilers in the reviews, I feel even less confident predicting whats gonna happen this season. I'm so terrified

[the-sky-queen]

If you care about lmk spoilers, block the tags now because I binged S5 last night and I-

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Honestly, the main thing I was worried about was the animation, and while it was a bit weird to look at starting off, it was fairly easy to get used to. Everything else was JUST AS GOOD AS IT ALWAYS IS AND I WAS VIBRATING IN MY SEAT AT PARTS!!!!!!

[thanx-files]

*banging pots and pans together* I FINISHED ANOTHER SEASON OF THE X-FILES!!! GATHER ‘ROUND FOR MY HOT TAKES!!!

Spoilers, as usual. It’s all below the cut.

The End

I’m not even sure what to think. This finale felt like a regular ass X-File until the last minute on screen. No one was dying of an incurable disease or being drugged within an inch of their life. No one even faked their death! Though we did have another delightful moment of Mulder physically attacking his colleagues in the halls of the Hoover Building, plus another reassignment! Classic finale stuff.

I’m honestly still processing the image of Mulder’s office gone up in smoke. That’s one of the few spoilers I’ve managed to avoid. I can never keep track of whose side Mr. Morley is on, but damn. Damn.

Backtracking tho: MSR goes crazy this ep, but on the down low. He is thinking about ONE of the ladies. ONE of the ladies is thinking about him. Scully doesn’t care what anyone thinks except Diana — not even what Mulder thinks. What a fucking interesting distinction, right? Alexa! Alexa, play ‘Girl Crush’ by Little Big Town!

Not to mention the way she goes back to his place after everything that happens — the fanfic of it all, going home with him to make sure he takes a nap on his couch and doesn’t jump the tracks. She’s confused and tired and probably angry, and she loves him so much despite it all. Agh. AGH.

Anyway if anything bad happens to the kid I quit the show. Earlier in the series, I was tired of bad things happening to women (still am) but now I am tired of bad things happening to kids. Scully is, too, damn it.

The verdict: This is good. This is solid. It’s not the same levels of drama we are used to from a finale, but it’s enough of a paradigm shift to make you wonder what’s next. And maybe it would feel old-hat (the X-Files are shut down again, what else is new?) if we didn’t see Mulder’s life’s work go up in literal flames.

Season 5

This season, y’all. This season! It has EVERYTHING. It’s got needle drops and fun dances and unreliable narrators and fun and humor, but it also has FUCKING EMILY!!! Redux and Emily are within TEN EPISODES of each other. Are you kidding me? It has Catholicism! It has Scully to the rescue!

Pros: Lots of Scully!

Cons: Lots of Scully being sad.

Yeah, season 5 may be a new favorite. It has its clunkers for sure, but it also has some all-time best episodes. It’s literally watering the seeds of doubt, showing us that absolutely nothing and no one is trustworthy — I’m so mad that we never talk about “trust no one” anymore — that the truth may well be out there, but that we wouldn’t fucking know it if we found it, right now. Mulder is more skeptical than Scully ALL FUCKING SEASON! She may not be ready to write it in a field report, but you cannot seriously tell me she doesn’t believe something. She believes enough to know that something is wrong with Chinga. She believes enough to shoot the shadow in Mulder’s hospital room. She believes enough to set the nephilim free. To protect Gibson. Meanwhile, Mulder is kind of done taking people at their word. He needs evidence. He needs to see to believe. These two have changed each other so much in 5 years!

I just love it. I just do.

Episodes

I’m making a Tier List this time. And heaven help me, it is not particularly balanced.

It’s also worth noting that this ranking might change over time. I tried to account for both quality of the ep and my own personal feelings about it — which aren’t always the same thing. For example, I’ll rewatch Unusual Suspects long before either of the Reduxes.

[t-hirstreview]

[wield-the-mighty-pen]

The truth isn’t that Gabriel hates Marinette, it’s actually that he’s a Marichat stan and thinks that Adrinette is getting in the way of his ship

I mean can you see the excitement on this guy?!?!

[cocogum]

The Great Wave - Chapter 1 Review

‼️ SPOILERS FOR THE CHAPTER ‼️

Warning(s): mature themes, descriptive language, proceed with caution.

Before I start, I'd like to say that I initially added a lot more to this, but since tumblr had to censor it, I had to level it down a little...

I guess I just got carried away with it because of yumalia lol

So yeah...hope tumblr doesn't flag this again....

Alright everyone you know the drill.

LET’S ALL GET IT OUT OF OUR SYSTEMS AND GO CRAZY OVER HOW THESE TWO FUCKED SO MANY TIMES‼️‼️‼️‼️

Good job you two honestly I’m so happy these two got to have fun together like this 🥰🥰

Like no joke the first time I started to read the first chapter, of all the ways I thought it would start, I DIDN’T THINK THEY’D BE FUCKING I legit thought I was interrupting them my god-

I was so SHOCKED wtf??????!!!!

Like yes but what????

Ankama wasn’t kidding when they said they’d go mature mode and INSTANTLY cram in adult themes. The unexpected (but still warned) change was so sudden that that’s how you know Ankama has been keeping themselves tamed in the seasons because they couldn’t pull this shit off so easily like Japan.

Now let’s analyze the first thing that’s in the very first chapter.

The s** 👹👹

Okay I know how laughably this sounds because the FIRST THING in the first volume that we get to see is Yugo and Amalia’s private time.

And I’m not ashamed of loving it. Even now I still can’t believe that this can literally be considered soft corn. I won’t be surprised if more than half of the chapter ended up on that infamous site 💀(if u know, u know)

By the way I love how Amalia’s hair grew cuz I was starting to get sick of seeing her with a short ponytail all the time AND I LOVE HOW WE FINALLY SEE HER UNTYING HER HAIR CUZ MAN ITS BEEN SO LONG SINCE IVE SEEN HER LET HER HAIR OUT

But their private moment(s) really made us understand just how much they care for one another. The way that they are sleeping together NAKED like this so comfortably too confirms that they have done these kinds of activities before.

The ambiance and the colors truly encapsulate the tranquility and peacefulness they both share in this moment. You can even feel the sunshine’s rays touching your skin.

AND I’M ALL HERE FOR IT. They genuinely look so cute and in love together like that I just wanna tear that blanket away and dhskdkfkksskskkdksksd.

If anyone is wondering why Yugo still keeps the dofus on him, it’s because the dragon, Rodalström, that Armand defeated is still alive. A necrome can never truly die so Yugo has to essentially keep the dofus on him at all times just in case the dragon would set free someday (i feel so bad for Qilby due to this decision…dude is the only one between his siblings who can hear these two banging💀)

While looking through these same pages over and over again (I still haven’t stopped), I began to seriously wonder what kind of positions they would do together.

We’ve seen two particular positions they have used in this chapter and it was the “lotus” position and the “woman on top” position.

These are very accurate positions for these two mainly because of the level of intimacy it provides. It’s not rough, extravagant, or even too lewd. It’s simply just right.

They are so intimate with one another that they even hug while keeping the pace. And I think it is wonderful to see these two just being happy and satisfied in each other’s arms like this.

It's such a sweet moment for these two that you really can't look away (i'm definitely not saying this to justify why I keep overfixating these panels). You can even see Yugo choosing to keep his eyes open during it all just to look at Amalia enjoying it.

My guy clearly loves the view please!! 😫😫😫

You don't think seeing her liking it makes him even more excited righ-

Some parts during their intimate moment had their arms, which were groping A LOT of things, somewhat censored by the blankets they still had on each other. So, to have a clearer view of what happened under the sheets, I decided to outline their covered arms to give you an idea of where those hands went.

At the very beginning, Yugo is woken up by Amalia kissing his cheek. But after that, his body looks much more awake when we see a panel of Amalia's hand under the covers reaching for something. This immediately makes Yugo wide awake, to the point where he's already sweating a bit and blushing very hard as he says, "You're...tireless!"

After some outlining made by yours truly, it was painfully obvious where Amalia was reaching for and- DEBHUHUFUWHYUHFUYHUWUEFHUWHFUEFHUEWH

GURL STOP OMG SHE'S TOO BOLD I CAN'T WITH HER I LOVE HER OMG SHE KNOWS WHERE TO REACH YES DO IT WAKE HIM UP!!!!

The fact that she instantly knew what to do when she wasn't getting enough attention from him after that cheek kiss alone sends me 😭😭

But it's not like Yugo's the innocent one here for not trying anything. On the contrary, HE'S TOUCHING HER TOO.

THAT GUY KNOWS WHAT'S BEST TO GRAB.

He's a man after all, so what'd you expect lol

He KNOWS that her ass is THICK, SO WHY WOULD HE NOT TOUCH ONE OF HER BEST ASSETS!?!?!?

You can tell these two obviously do more than just two “sleeping” positions, but since they were messing around in the morning, I can give them a pass for being sweet and tender with each other at this moment, just this once. They must've done A LOT more yesterday night since Yugo did say she was tireless as soon as he woke up. These two are adventurers at heart, so why wouldn't they explore each other more thoroughly-

Given that we’ve only seen the "lotus," the "woman on top," and a simple embrace, I would like to suggest a few more positions that would suit them well. These recommended positions are so accurate to them and reflect their dynamic that I wouldn’t be surprised if they have done these before (or will eventually 👀).

While nitpicking every single panel of their “morning routine” I learned two things thanks to this start:

1) Yugo’s a bottom but is able to switch.

2) Amalia is insatiable in bed. Girl is hungry HUNGRY. Because judging from how Yugo and her were fully naked and laying in bed in the beginning, that means they had finished screwing with each other a while ago BEFORE AMALIA JUST JUMPS BACK INTO IT. SHE’S LITERALLY TIRING OUT A DEMIGOD ALIEN JUST FROM GROPING AND TAKING HIM-

If a scene like this wasn’t what I thought would happen at the beginning of the first chapter, then Amalia getting choked to death had definitely thrown me off guard. Like many other readers, I already knew that this wasn’t actually real and was only happening in Yugo’s head but it still felt very off-putting to see her struggling to breathe. The way Yugo panicked and tried to help only for him to scream and cry when he realized she was on the verge of dying was powerful.

And that’s when we find the anomaly in this chapter.

The dragon that appeared in Yugo’s head.

I initially expected Toross to be the one tormenting Yugo but I guess it ended up being this dragon.

The dragon figure seems to feel severe hatred for Yugo for all the calamities he let happen in the World of Twelve and how he seems to be living a good life at the moment while having the six primordial eliatrope Dofus and the Eliasphere in his possession.

The theories immediately started flooding in on who this dragon could possibly be and here’s what people came up with:

A) The dragon is one of the six primordial dragons from the World of Twelve named Grougalorasalar.

He’s the guardian of the Eben dofus and used to have been sealed in Joris during the Dofus era. Some have theorized this dragon to be him because of how physically similar they look.

Although he looks identical, there is no logical reasoning to support his hostility towards Yugo, let alone his ability to infiltrate his mind. Furthermore, the way he acts and thinks around Yugo, assuming it is actually him, is illogical given his involvement in Ogrest's rampage.

B) This dragon is, in actuality, Draconiros, the dragon of dreams.

His job is to govern the dreams and nightmares of the twelvians. People suspect he might have taken the form of Grougalorasalar while talking to Yugo.

Despite never meeting Yugo, he could have watched over the twelvians through their dreams. This means that he might have seen Oropo's dreams, as well as Yugo's own, giving him insight into Yugo's future actions and indirectly caused consequences. If true, this theory would explain why he holds a grudge against Yugo. It currently stands as the most compelling theory among all others.

C) The Great Dragon. Yugo’s father could be the one able to invade his mind and blame him for all sorts of things.

It's hard to ignore the fact that the Great Dragon appears to have been absent during some of the biggest catastrophes in the Krosmoz. Despite countless calamities happening all around the world, the Great Dragon seemed to have done nothing to prevent them, nor did he even show up to witness them. This is why his presence felt non-existent in the world. If he doesn't care about the world, why would he have any interest in what Yugo has done?

D) Osamodas himself could be the one speaking to Yugo while taking the form of Grougalorasalar.

It's worth considering that Yugo may face blame from the god of beasts. Additionally, it's intriguing to note that the osamodas race will play a significant role later on. This is evident from Aurora and her family's return to the Sadida kingdom.

So far, these are the only theories out there that we have for this dragon. That, and the fact that it might as well be a whole new character that we haven’t seen before.

The thing that truly makes this interaction between Yugo and the unknown dragon feel severe is the fact that the dragon tells him that despite sharing dragon blood, he truly detests him.

Imagine having to know that a millennial dragon hates you despite sharing the same blood.

Of course, the interaction couldn’t have stayed for very long because Amalia immediately interrupted it by screaming Yugo’s name. Yugo looks completely out of it, huddled up and shaking in fear. I understand that he saw what could be a future threat but this whole situation must’ve looked so off-putting from Amalia’s perspective: they were fucking, they started levitating because of the six eliatrope Dofus residing in him, and then they both suddenly fell on the floor and she saw Yugo curled up and crying, freaking the fuck out.

Amalia doesn’t understand but she still goes to him and immediately tries to calm him down by embracing him. But despite everything he’s seen and the fact that he interacted with a mysterious dangerous beast, the first thing that Yugo says amidst his crying is: “I thought I lost you…”

Look at the sheer terror in his eyes.

He genuinely looks like he thought he lost everything at this very moment. His body is shaking and is still processing what he just saw and heard.

He even APOLOGIZES to her, thinking that seeing her dying in his arms was somehow his fault.

Her life is such a huge priority for him that that’s immediately the first thing he’s afraid he’ll lose the most.

That’s when Amalia suddenly says the words: “Calm down, it was just a dream.”

…

A dream??

You mean to tell me that this whole time, Yugo was sleeping?

So this whole “wrestling” scene never happened?

I believe there’s been some kind of misunderstanding when we first read this chapter.

I feel like we thought Yugo and Amalia had been messing with each other in the morning and that’s when Yugo suddenly received a flash of imagery and words from the unknown dragon before Amalia snapped him out of it and that’s how they ended up on the floor together.

But it turns out that wasn’t technically what happened.

Because if this intimate scene was real, then why would Amalia say he had dreamt?

I believe this is what actually happened:

Yugo and Amalia were peacefully sleeping together after spending the night awake (because what do you think a fully naked couple does in bed). When morning arose, that’s when Yugo started having a wet dream of Amalia and him getting in on again and right when things were starting to get better for Yugo, the dream started to twist itself and change out of its own will, forcing the one good thing about the dream to leave, which was Amalia, by making her choke to death to finally reveal the dragon. The dragon haunts his mind and spills his hateful thoughts to the eliatrope causing him to suffer alone until Amalia snaps him awake and manages to unknowingly free him from the torment. Yugo must’ve fallen on the floor while having the nightmare and Amalia simply got down from the bed to wake him up.

(this still doesn’t change the things I said about the types of positions they have, how Amalia has her own nicknames for Yugo like ‘little princess’, and how Amalia is in bed though because dreams often depict and copy real-life behaviors from the mind of the person dreaming. it’s actually funny that Yugo had a WET DREAM about Amalia and him. despite getting so much action with her, his mind doesn’t leave her alone lol)

When she regards his shaking form that it was only a dream, however, Yugo insists how real it felt. That’s when he decides to stand up and claim he needs some air to think. The fact that he has said the same thing back in Season 4 Episode 1 when he had Oropo in his head, shows how his insistence of wanting to be alone after getting scarred, has become a pattern.

Amalia understandably (and predictably) gets angry at Yugo for leaving but her behavior also raises a few questions. Does this mean she’s angry that he wants to be alone every time he gets nightmares? Does he receive incessant nightmares on some nights? If that’s the case, then how often does this keep occurring? Or is this the first time he does this? Is she angry because he tends to quickly leave when he thinks he needs to deal with something on his own like how he did in Seasons 2 and 4?

Regardless of what the case may be, Amalia doesn’t waste time and immediately dresses herself up with her vines like a boss ass Queen just look at how refined and elegant she looks while changing✨✨ I love her so much 💕💕

Also vinillain noticed how these two dumbasses don’t HAVE ANY BEDROOM DOORS. How do they actually get any privacy if their bedroom has a huge ass hole with no door?? It’s so bare that it doesn’t even have a curtain to cover the front of their room!! Like did these two not realize that literally anyone can just get right in their room? I get that they’re royals so they would know that no one would be this dumb enough to simply get in like that but the entrance of the room is so big and wide that anyone can just pass through it and be able to see their bed from where they’re standing!! You can even see the bed frame right there in just that panel for crying out loud!! I get that the sadidas are a pretty open race BUT THEY’RE NOT THAT OPEN TO EACH OTHER-

Besides this stupid choice of not having any doors, I love how the kingdom made a few adjustments to the throne room because they initially only had one seat. Even when Armand was king, there was still one place. Aurora had to sit in a small space next to him lol. Note that Aurora used to sit on the right side like how Yugo has to do now.

I already talked about this to vinillain but I told them that because of how the throne was arranged when it got split into two, I feel like the ones who sit on the right are the ones who come from other kingdoms aka if they’re from another race. I believe that the reason why the throne had only been one seat in Seasons 1, 2, and the ovas, was because the only ruler at the time was King Oakheart. The ruling seat might have also been divided in two when the queen was still alive. Amalia might as well have simply chosen to sit in Armand’s place because it used to be his which would be cute if that was the case.

I like to think that Yugo deserves sitting in Aurora’s place because he’s submissive-

Speaking of Armand, the mural wall that Amalia made the artist make was such a wonderful decision. She really did love her brother despite the many quarrels they used to have.

This man entered the legend ❤️

After the interaction between Amalia and the painter, I noticed the royal advisor (or so I think) about to approach Amalia with something to discuss. Despite not having entered the throne room yet to listen to her people's grievances, the advisor seems to have something confidential to share with her, as he didn't choose to wait until she got there. Although we don't know what that "something" could be, Amalia immediately stops him, explaining that she just got out of bed and needs time to process everything.

I think we'll see what that 'something' could be about in the next chapter, though. Looking at the crowd awaiting Yugo and Amalia in the throne room to discuss their business with them, I have a strong feeling some of those problems would involve the elite eliatropes.

We can even see how the mood in the throne room looked very tense between the sadidas and the eliatropes. Some of the sadidas looked perturbed, and there's a good chance they're acting this way because of the eliatropes. Not only that, but the eliatrope kids looked super uncomfortable because of the tension going on. Even a sadida was eyeing an eliatrope in a pretty judgemental way (you can see it on the right panel).

They were all waiting for Amalia and Yugo so they could speak about their problems to the two royals so I wouldn't be surprised if some problems would be about the eliatropes staying.

I understand that when we last saw the sadidas, they were pretty much okay fighting alongside the eliatropes during the war against the necromes. But that was because it was a war. They were extremely short-handed, so they were perfectly fine with having them by their side. But now that the war is over, it's possible that many of them feel a bit awkward having to share their lands with eliatropes. Imagine living on these lands since the dawn of time and you suddenly have to live with people who are not even from your planet one day.

In short, Yugo and Amalia should get more intimate moments, the dragon in the dream has a good chance of being Draconiros, Yugo should stop dealing with his problems on his own, Armand is a chad, the two royal seats scream power couple goals, I need that sadida and eliatrope drama, and I’m waiting on what the advisor has to say.

@geekgirles @onyichii

[thegayhimbo]

Stranger Things The Dustin Experiment Review

If you haven't yet, be sure to check out my other Stranger Things Reviews:

Stranger Things Reviews/Theories:

Stranger Things Play:

Stranger Things The First Shadow

Stranger Things Comics/Graphic Novels:

Stranger Things Six

Stranger Things Halloween Special

Stranger Things The Other Side

Stranger Things Zombie Boys

Stranger Things The Bully

Stranger Things Winter Special

Stranger Things Tomb of Ybwen

Stranger Things Into The Fire

Stranger Things Science Camp

Stranger Things “The Game Master” and “Erica’s Quest”

Stranger Things and Dungeons and Dragons

Stranger Things Kamchatka

Stranger Things Erica The Great

Stranger Things “Creature Feature” and “Summer Special”

Stranger Things Tales From Hawkins

Stranger Things x Teenage Mutant Ninja Turtles Crossover

Stranger Things The Voyage

Stranger Things “Deliver Me From Evil”

Stranger Things Tie-In Books:

Stranger Things Suspicious Minds

Stranger Things Runaway Max (Part 1 of 3)

Stranger Things Runaway Max (Part 2 of 3)

Stranger Things Runaway Max (Part 3 of 3)

Stranger Things Darkness On The Edge Of Town (Part 1 of 3)

Stranger Things Darkness On The Edge Of Town (Part 2 of 3)

Stranger Things Darkness On The Edge Of Town (Part 3 of 3)

Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)

Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)

Stranger Things Hawkins Horrors Review

Stranger Things Flight Of Icarus

Stranger Things Lucas On The Line

Stranger Things Episode Reviews:

The Vanishing of Will Byers (Part 1 of 2)

The Vanishing of Will Byers (Part 2 of 2)

Synopsis: Following the Battle of Starcourt, Dustin attempts to adjust to life in high school as he deals with the fallout of being targeted by bullies and his friends growing distant. When he learns of a science fair taking place in Indianapolis, Dustin enlists the help of Eddie Munson to get the project off the ground as he begins to consider his future.............

Observations:

I ended up reading this book twice, prior to the 2024 Election. First time was difficult to get through due to a slow beginning and my mixed feelings about the last 4-5 pages. Rereading it a second time and thinking things through was a more positive experience, and I ended up having a lot of fun with the story, especially when it came to Dustin's science project and his personal adventure at the science fair.

In terms of how I'd rank it, I'd say it's definitely better than last year's Flight of Icarus, and even a cut above Lucas on the Line due to not having continuity errors. However, it's not quite to the level of Rebel Robin or my Top 5 best tie-ins in the series. There were issues with it, but the book does a good job sticking after you've finished it, and what it presents does make me excited for the direction they could go with Dustin in season 5.

I'll start with the parts I took issue with, and work my way up to the positives that made the book worth reading:

Part 1: Bullying (i.e. The First 3rd of the Book)

Those who have followed my blog know I don't have any patience for bullies. In fact, when it comes to Stranger Things and the themes it explores, I have a harder time watching scenes with characters like Troy, James, Tommy, Carol, Billy, Jason, Angela, the Rink-O-Mania crowd, and Two, in comparison with the horror aspects like the Upside Down, the Mind Flayer, and Vecna. A lot of it has to do with how the bullying is uncomfortably grounded in reality, as well as a lifetime of experience on my end dealing with people like this (both on social media and off it). The last year alone especially has been eye-opening with how shamelessly vile and hypocritical some people will be, especially if they think they can get away with it. It's gotten to the point I'm not hesitant anymore about blocking people, or dragging them over the coals if they continue to poke the bear one too many times. At some point, you either develop tougher skin and a "No patience for bullshit" attitude, or you continue to be a target and a dormant for these people. I chose the former.

Having read Lucas on the Line beforehand, I knew that a story focusing on Dustin between seasons 3 and 4 was bound to focus on him and Mike getting bullied, and wasn't surprised when they depicted it in all of its ugliness:

I'll be honest in admitting I never liked Jason as a character. When I first saw season 4, I pegged him immediately as self-absorbed and coasting on self-righteousness and arrogance (even before Chrissy got brutally murdered), and the way things played out did NOTHING to alter that perception. While I initially felt bad for him over the grief and anger of losing Chrissy, that immediately vanished the moment he whipped the townsfolk into conducting a witch hunt against the Hellfire Club without giving a damn about whether innocent people would be hurt in the process (which they were).

Since the release of Season 4, and the subsequent tie-ins that have accompanied it, my opinion of Jason has NOT improved, especially with how this book, Lucas on the Line, and Flight of Icarus depict him as a bully with his own prejudices and anger issues that would lead him to look for any excuse to pick fights with people he didn't like.

I would go as far to argue that Chrissy's death didn't turn him into a monster so much as it brought out the nastier aspects of his character that were already there to begin with. This dude was a timebomb waiting to detonate, and even if Chrissy hadn't died, something was eventually bound to set him off.

On top of that, Jason's treatment of Mike in this book is pretty awful, and only made him more detestable. It also makes his not-so-subtle threat to Nancy in "Papa" about going after Mike a lot more heinous in hindsight:

The book helps flesh-out Mike and Dustin's irritation with Lucas wanting to join the basketball team and why they have a problem with it. It also give context into why they believed Lucas was deluding himself when he claimed this would allow him, Mike, and Dustin to become popular in High School and therefore untouchable to bullies: That was ALWAYS a fantasy that was never going to happen. Jason and his squad were repeatedly awful to Mike and Dustin during their first year of high school, and no amount of Lucas kissing up to Jason was going to change that. Their frustration with Lucas was less about him wanting to play basketball (though neither of them show much enthusiasm for the sport to begin with) and more about wanting Lucas to wake up and realize how much of an asshole Jason and his buddies are.

I've seen fans criticize Mike and Dustin in the season 4 premiere for skipping Lucas's championship game to do Eddie's D&D campaign, and while I initially could understand that position, having time to reevaluate has made me realize they probably made the right call in hindsight. For all of his flaws, Eddie accepted Mike and Dustin and gave them sanctuary within the Hellfire Club, which made their lives in high school bearable. He even offered that same courtesy to Lucas in spite of Lucas also doing basketball (something that Jason had no intention of ever doing for Mike or Dustin while they were a part of Hellfire Club). Whatever acceptance Jason initially gave Lucas (which arguably had a lot to do with Lucas making the winning shot in the championship compared to if Lucas had messed up and cost them the game) came with strings attached. The moment Lucas crossed Jason is the moment he would become Jason's enemy, regardless of the reasons.

All of this makes me indifferent towards Jason's eventual fate. I'm not going to say I was glad he died, but at the same time, my sympathy was nonexistent by the time he bit the dust. Some people might call what happened to him Karmic Overkill, but Stranger Things has always made a point in demonstrating that karma doesn't distribute itself how you want it to. Decent characters like Barbara, Chrissy, Benny, Bob, and Eddie all suffered horrific fates they didn't deserve, whereas awful people like Troy, Tommy, Carol, Colonel Sullivan, Dr. Brenner, and Angela were lucky if they got any sort of comeuppance. Hell, Angela is one of the most loathsome characters in the entire series, and the best she received for her sadism and public humiliation of El was a Grade 2 concussion as opposed to the grisly death she arguably deserved.

Hell, I would go as far as to argue everyone in Rink-O-Mania who took part in El's bullying deserved a gruesome end a la Stephen King's Carrie, but I don't get to make that decision, and neither did El. They're all disgusting people devoid of any redeeming qualities, and I won't feel bad when they're eventually on the receiving end of the cruelty they've dished out (especially since none of them have the self-awareness to recognize how mean-spirited they are), but the cold hard reality is people like Angela and her ilk get away with that kind of behavior in real life (as we just saw a few weeks ago with the 2024 U.S. Elections). Characters like Angela and Jason getting any sort of consequences for their behavior, even if it's small, is cathartic for me, and that's not something I'm going to apologize for.

I will say that, for all the bullying Dustin experiences in this book, he handles it in a mature manner. A lot of this has to do with Dustin having life experience dealing with this kind of crap, and recognizing how pathetic and unoriginal it is:

Out of all the characters in the Party, Dustin is the one who adapts well to his environment, and it's a big reason he's been able to survive the hardships life throws at him. It's something I admire about his character.

Part 2: Dustin's Friendships/Relationships

Adding on what I previously said, it's notable Dustin is the one who makes friends the easiest. He may have come late to the Party (around 4th grade, according to him), but he was able to integrate seamlessly with Mike, Lucas, and Will, which is something the comic Stranger Things and Dungeons & Dragons depicts:

A good chunk of this has to do with Dustin working to find common ground with people and seeing the positive merits in others. It's how he developed his friendship with Steve and looks up to him in a big-brotherly way. It's how he formed a bond with Eddie in this novel. It's even how he's able to reach across the isle towards people like Ankia (who initially has a haughty attitude towards Dustin before she mellows out), or Danny, or Suzie, or the kids at Science Camp as depicted in that comic:

It's a good life skill that will serve him well when (and if) he leaves Hawkins alive.

A central focus in this book is Dustin reevaluating what he wants in his life, as well as how he views his relationships. Since the events of the Battle of Starcourt, the Party has split, and Dustin feels he's been left to fend for himself. In many ways, the structure of the story echos what Lucas went through in Lucas on the Line, except in this instance, it's Dustin aiming to try out something new in order to deal with the changes in his life. While Lucas veered into basketball, Dustin decided to put his intellect to use by entering a science contest. Unfortunately for him, neither of his friends express much interest in his passion: Max is depressed and isolated following Billy's death and Neil leaving her mom, Mike has shut himself away following Will and El's departure from Hawkins, and Lucas is in basketball training and hanging out with Jason's jock friends, which causes friction between Dustin and Lucas. The most support he gets for the project is from his mother and Eddie.

Speaking of Eddie, his introduction doesn't disappoint. Just like in Flight of Icarus, Eddie is someone who's moved past caring how others think of him (something Dustin respects him for), has no issue publicly calling out Jason and his jocks for their bullying, and is quick to adopt Mike and Dustin into the Hellfire Club (and later Lucas as well). Dustin's desire to impress Eddie, first by fixing his walkman and later his AMP box, is what inspires Dustin's science project: A Super AMP box of his own that would allow Dustin to record sounds, play them back, and measure changes in distortion and signal-to-noise ratios. With some encouragement from Eddie (as well as a promise for a drive to the fair and an arrangement to listen to Eddie's playlist of Heavy Metal music), Dustin heads out on his own side-quest (as he cheekily puts it).

The friendship between Dustin and Eddie is a highlight, and Eddie's attempts at helping Dustin are hilarious as well as heartwarming. Eddie is someone who likes Dustin for who he is, and encourages him to not let others tell him who he should be:

In many ways, Eddie reminds me of Jay from Lucas on the Line who also acted like a mentor figure/friend to Lucas, and motivated Lucas to be his true self.

The tragedy is, in spite of both Jay and Eddie being positive influences for Lucas and Dustin, both of them were cruelly driven out: Jay was forced to move after being targeted in a racist attack against him, whereas Eddie got scapegoated for Chrissy's death and died before he got to clear his name. It's a parallel that reminds me of Karen's words to Nancy in season 3: "This world, it beats you up again and again until eventually........most people, they just stop trying." Both Dustin and Lucas have always been fighters (same with the other members of the Party), but it doesn't make it any easier that the people they care about disappear from their lives when they're at their most vulnerable.

Speaking of vulnerable, part of the conflict Dustin has with his friends is also similar to Lucas's conflict in Lucas on the Line where both characters are going through their own hardships and assessing whether their friends will actually be there for them. Dustin does clash heads with Lucas over basketball, but a good chunk of that has to do with the crowd Lucas is hanging out with. Dustin knows Jason and his jocks are NOT nice people, and is baffled over why Lucas would want to be someone like that:

It takes some time, and a few missteps, but Dustin is able to eventually not only see Lucas's perspective, but also Mike's perspective regarding his issues, and make amends with both of them before things permanently fall apart:

This isn't much of a spoiler since the group is united again at the end of season 4, but the suspense leading up to that point comes from HOW they're able to keep their friendship together in spite of life's tribulations. There's a moving scene at the Video Rental Store where Robin and Steve hold an intervention to get Mike, Dustin, and Lucas to reconcile. During it, each find out that, despite the surface differences, their fears are similar in nature: Behind Left Behind. Losing friends. Failing the people they care about. Their bond is a lot stronger than they give it credit for. And as Steve notes, a lot of the problems they're having are manageable if they're willing to talk through it:

Speaking of Steve, it was nice seeing the book cover his relationship with Dustin. Just like in season 2, Steve takes on the role of mentor as Dustin keeps barging into his workplace (oftentimes before Steve closes, or else scaring off customers in the process) to vent about his issues. Steve, of course, takes it in stride, and offers what advice he can (along with the new video releases that Dustin is interested in).

I was initially worried this book would feature petty jealousy and contrived drama between Steve and Eddie over which of them Dustin liked the best as a friend (similar to what the show Supernatural did with Sam and Dean Winchester in Season 8 when they introduced the vampire character Benny and tried to play him as the new "brother" that Dean wanted over Sam). Thankfully, the book steers clear of that. We get brief glimpses that Steve is insecure that Dustin has started to lose interest in him as a friend (something that Dustin refutes in the narration), but Steve never becomes actively malicious against Eddie or tries to prevent Dustin from seeing Eddie (which is in direct contrast to how the Benny/Dean/Sam drama played out in Supernatural). The regrettable thing is that, had Steve and Eddie talked beforehand (similar to how Steve was encouraging Dustin to talk to Mike and Lucas before making any rash decisions), they could have become friends a lot earlier before season 4. 😞

Suzie also makes an appearance, and just like with Steve, she acts as an encouraging presence and voice of reason for Dustin as he's navigating high school. Their interactions are sweet without being over-the-top, and they even run a book club where they discuss novels they're reading together. In fact, compared to Mike and El's stilted communication while they're apart in different states, Dustin and Suzie are a lot more open with each other about what's going on in their lives (minus anything to do with the Upside Down). It makes their relationship look healthy in comparison.

I know people see Suzie as a "take-or-leave" character, but I like her, and I'm glad Dustin and her are a couple. I'm not sure what the future holds for them, but I hope she is eventually clued in to the Upside Down. I'm also hoping we get to see her interact with other characters besides Dustin (like she did with Mike, Will, Jonathan, and Argyle in season 4) and maybe even have some kind of role in helping Dustin against Vecna's army. Who knows? Her intelligence and love for fantasy could be put to good use in that situation.

We also see a little more of Dustin's friendship with Will in how they keep in touch via letters. It's a relationship that remains solid, with a nice balance between Dustin's intellectual side and Will's perceptiveness. Will encourages Dustin with his science project, and gives advice to Dustin regarding his difficulties with Mike and Lucas, as well as what he should do with his future:

There is something to be said about Dustin and Will being the glue that holds the Party together. Considering that Dustin is able to talk about his problems easier with Will in letters than he's able to with Mike or Lucas, it gives the impression that, out of all the members of the Party, Dustin is able to relate better to Will. Or maybe it's because it's easier for Will to speak openly about his thoughts and emotions, compared to Lucas and Mike who struggle more.

Dustin's interactions with Max and El are shown briefly, but aren't given the same in-depth look as his other relationships. Dustin is aware of Max's depression and living situation (and later finds out she broke up with Lucas) and does what he can in offering to be there for her. As for El, while he doesn't know the particulars, he picks up pretty quickly that El is unhappy in Lenora for reasons that are obvious to the audience (May Angela continue to get hit in the face with a heavy object every day for the rest of her miserable life). 😒

Finally, there's Dustin's relationship with his parents. The few interactions I've seen between Ms. Henderson and Dustin have always given the impression they're close and that they do a good job supporting one another, and this book confirms that. She knows that her son is a genius and allows him to nurture his creativity and scientific interests (even as she's having to call the power company multiple times since Dustin uses up the electricity in the house). I like their mother/son relationship, and I'm disappointed she's not coming back for season 5.

As for Mr. Henderson..............Dustin sums it up best to Eddie:

This is pretty consistent with how Walter Henderson was depicted in The First Shadow, and I'm glad the book includes this nod to the play.

Part 3: The Science Fair

The middle part of the book, which deals with Dustin building his "Bard Box" (i.e. the AMP box he uses to record sounds) and his adventure with Eddie in Indianapolis, was my favorite part. Not only does it feature great bonding moments between Dustin and Eddie (including the hilarious revelation that Eddie has a fear of ducks), but there's a fun mystery Dustin stumbles upon while he's at the fair that allows him to put his deductive skills to work. It's a plot with similarities to the comic Science Camp in that Dustin meets a group of nerds like him whom he befriends and they work to track down a culprit with malicious intentions.

Just like with Science Camp, I won't reveal the particulars or who the culprit is, but it was pretty easy to figure out the culprit's identity. However, the journey with Dustin and the new friends he makes is enjoyable, and I wouldn't mind seeing those characters again in a future tie-in. There's also a fun bit with Eddie having to look after a duck named Frodo Quackins (yes, that's actually his name) and his ability to improvise and entertain people:

If Eddie had survived, he could have had a career in theater, and he would have been good in it. 😞

All of this leads up to a moment where Dustin is offered the opportunity to escape Hawkins and attend a prestigious science school called Eastwood. And the remainder of the book deals with Dustin struggling over whether to accept the offer or not.

Based on how season 4 went, you can already guess how that panned out.

And this brings me to where Dustin's story goes from here......

Part 4: Dustin's Future in Season 5

I've speculated for a while that, just like with Nancy's crusade to get justice for Barbara in season 2, Dustin will be trying to clear Eddie's name in season 5 for Vecna's murders. Based on the BTS photos they've released, it looks like there's a long road ahead for him:

I'm hoping there's a major payoff to this potential arc beyond just clearing Eddie's name. Part of the reason I brought up bullies like Jason and Angela earlier in this review is because I've started to grow sick of seeing the main characters repeatedly getting dumped on while receiving zero credit for putting their lives on the line to save the world. Meanwhile, assholes like Angela and Jason make the main characters lives a living hell, all the while enabled by the people around them, and are either coddled for their behavior (Angela) or memorialized for it (Jason). While I doubt Angela or any characters from Lenora (including Argyle) are coming back for season 5 (though if she does return for some reason, I hope Vecna causes Angela's head to explode), I have a sick feeling that Jason's hold over Hawkins will still be there by season 5, and characters like Dustin will be dealing with the fallout of Jason's crusade. Whether it's in the form of Jason's basketball team taking revenge for their fallen comrade, or Hawkins residents swallowing the propaganda about the Hellfire Club being a Satanic Cult, I expect life isn't going to be easy for a while. That's not even getting into how Dustin will still be grieving Eddie's death and having to put up with the slander thrown Eddie's way.

What I'm hoping for is that, during all of this, there is an eventual reckoning for Hawkins. That the residents are forced to come face-to-face with the lies, the bigotry, the prejudices, the bullying, and all the uglier aspects rooted in the town's social structures and history. I'm not going to be happy if the townsfolk remain passive while reacting to the horrors around them as the main characters are forced to do the heavy lifting in keeping Hawkins safe. We've seen that for 4 seasons now. It's old and tired. The status quo needs to be broken in a major way that forces changes in Hawkins which will actually stick. The show has hinted in season 4 that it could go in this direction, especially with Vecna destroying the town and opening a large gate, and I'm hoping season 5 makes the most of it.

There are plenty of stories out there that have done this. J.R.R. Tolkien's Lord of the Rings did this with the Scourging of the Shire where the Hobbits had their lands decimated by Saruman and his men, and were forced to take up arms and become self-reliant in fighting back and no longer remaining isolated from the world around them. Fullmetal Alchemist Brotherhood also did something similar where the main characters were forced into a reckoning with how the nation of Amestris was formed, as well as the corruption rooted in its government, and make hard but necessary changes that would bring peace to the world and allow for a better future. That is the kind of arc I hope Stranger Things explores with Hawkins in the last season. Not just having the main characters receive credit for defeating Vecna and the Upside Down, but actually having the residents of Hawkins play a role in that and go through a permanent change in the process.

As for Dustin.........if he survives the events of season 5, I hope he gets the opportunity to leave Hawkins and pursue his scientific interests in a way that makes him happy and allows him to keep in contact with his friends and family. He deserves that much.